IT'S dusk on Keith Richards's verandah in the hills outside Ocho Rios, Jamaica. The grizzled face is half-hidden in the shadows. From
inside the villa wafts the steady nyahbingi drumming of the Wingless
Angels, five Rastafarians whose debut album has been produced by the
off-duty Rolling Stone.
"To me there was such an incredible power of expression in the music," says Richards. "It hasn't
been done for commercial enterprise; it's just what this lot of people
do when they've finished whatever hustle they do to survive..."
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